導(dǎo)視設(shè)計(jì)的產(chǎn)生和發(fā)展與人類的生產(chǎn)關(guān)系

        導(dǎo)視設(shè)計(jì)的產(chǎn)生和發(fā)展與人類的生產(chǎn)活動(dòng)緊密相關(guān)，同時(shí)又受到各個(gè)時(shí)代宗教、哲學(xué)等社會(huì)意識(shí)形態(tài)的直接影響。在人類還處于舊石器時(shí)代時(shí)，就出現(xiàn)了原始導(dǎo)視設(shè)計(jì)等。上海導(dǎo)視設(shè)計(jì)公司是一種相對(duì)永久性的藝術(shù)，傳統(tǒng)的觀念認(rèn)為上海導(dǎo)視設(shè)計(jì)公司是靜態(tài)的、可視的、可觸的三維物體，通過(guò)上公司訴諸視覺(jué)的空間形象來(lái)反映現(xiàn)實(shí)，因而被認(rèn)為是最典型的造型藝術(shù)、靜態(tài)藝術(shù)和空間藝術(shù)。

        隨著科學(xué)技術(shù)的發(fā)展和人們觀念的改變，在現(xiàn)代藝術(shù)中出現(xiàn)了反傳統(tǒng)的四維設(shè)計(jì)公司、五維上海導(dǎo)視公司、聲光上海導(dǎo)視公司、動(dòng)態(tài)設(shè)計(jì)公司等。這是由于愛(ài)因斯坦的相對(duì)論的出現(xiàn)，沖破了由牛頓學(xué)說(shuō)建立的世界觀，改變著人們的時(shí)空觀，使上海導(dǎo)視藝術(shù)從更高的層次上認(rèn)識(shí)和表現(xiàn)世界，突破三維的、視覺(jué)的、靜態(tài)的形式，向多維的時(shí)空心態(tài)方面探索。

        上海導(dǎo)視公司的案例非常豐富,在導(dǎo)視設(shè)計(jì)業(yè),是獨(dú)領(lǐng)風(fēng)騷,不拘一格.

        The production and development of guide design is closely related to human production activities, and at the same time is directly affected by social ideologies such as religion and philosophy in each era. When mankind was still in the Paleolithic Age, original guide design and so on appeared. Shanghai Daoshi Design Company is a relatively permanent art. The traditional concept believes that Shanghai Daoshi Design Company is a static, visible, and tangible three-dimensional object, which reflects reality through the use of visual spatial images. Therefore, it is considered to be the most typical plastic art, static art and space art.

        With the development of science and technology and the change of people's concepts, anti-traditional four-dimensional design companies, five-dimensional Shanghai guide companies, sound and light Shanghai guide companies, and dynamic design companies have appeared in modern art. This is due to the emergence of Einstein’s theory of relativity, breaking through the world view established by Newton’s theory and changing people’s view of time and space, enabling Shanghai Guide Art to understand and express the world from a higher level, breaking through the three-dimensional, visual, and The static form explores the multidimensional space-time mentality.

The case of Shanghai DVS is very rich. In DVS design industry, it is a leader and eclectic.